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A young thief named Bek and his love Zaya are attending the coronation of Horus. During the ceremony, Osiris is killed by his extremely jealous brother Set , who seizes the throne and declares a new regime where the dead will have to pay with riches to pass into the afterlife.
Horus is stripped of his eyes, the source of his power, and almost killed. Believing that Horus is the only one who can defeat Set, she gives Bek the floor plans to his treasure vault and also manages to get a glimpse of the plans for his pyramid.
However, Urshu finds out and kills Zaya as the couple flee. Bek takes her body to the blind Horus and makes a bargain: Horus is unable to convince Ra to regrant him his power so he can defeat Set himself, as Ra is both neutral about their conflict and daily at war with the enormous shadow beast Apophis that threatens to devour the world.
He does however allow Horus to obtain a vial of the divine waters that surround his vessel, which can extinguish the desert thirst and weaken Set gravely.
Set asks Hathor to take him to the underworld, but she refuses and escapes. The group then heads to the library of Thoth , so they can recruit him to solve the riddle.
But before they can pour the divine water, Set traps them and reveals to Bek that Horus cannot bring Zaya back from the dead. Horus is able to save Hathor and Bek.
Horus admits to caring more about his revenge than the mortals. Set is dismayed and wants to destroy the afterlife so that he can be immortal. Ra tries to fight Set by blasting him with his spear, though Set survives with his combined power.
He stabs Ra, takes his spear, and casts him off the boat freeing Apophis to consume both the mortal and underworld realms. Bek returns to the mortal world, where Horus is amazed that Bek still wants to help take down Set.
Bek tells him it was Zaya who told him to, as she still has faith in Horus. Horus climbs up the outer wall of an obelisk Set is standing on and attempts to battle him, but is heavily outmatched.
As Bek slides toward the edge of the obelisk, he throws the eye toward Horus, who must choose to catch it or save Bek instead. Horus reaches for Bek and apologizes for all he has put him through.
As they plummet toward the ground, Horus regains the power to transform and he catches Bek and flies him to safety. Now, Horus has the strength for battling Set, and he out maneuvers and kills him.
He then finds Ra wounded and floating in space, and returns his spear to him, allowing Ra to once again repel Apophis and for Anubis to reopen the gates.
As Horus returns to Bek, a child holds out his other eye, while people cheer him. All Horus wants is bringing Bek and Zaya back to life. Horus is crowned king by Thoth and declares access to the afterlife will be paid with good deeds.
The film was produced under Summit Entertainment. Proyas was contracted by Summit in May , to write the screenplay with Sazama and Sharpless, and to direct the film.
The director cited the following films as influences on Gods of Egypt: Actor Nikolaj Coster-Waldau was cast in June The film was shot in Australia.
Docklands Studios Melbourne was too booked to accommodate Gods of Egypt , and producers were instead offered an airport facility for production.
In the film, the gods in humanoid form are 9 feet 2. Proyas used forced perspective and motion control photography to portray the difference in height between the actors portraying the gods and the humans.
Proyas called the logistical challenge a "reverse Hobbit", referring to The Lord of the Rings films, in which Hobbits are depicted as shorter than humans.
For the god Thoth, who can appear as many copies, actor Chadwick Boseman was filmed hundreds of times from different angles. For a scene with many copies of Thoth, other actors took a day to film the scene, where Boseman filmed the scene for three days.
White actors make up most of the principal cast of Gods of Egypt. When Lionsgate began marketing the film, the Associated Press said the distributor received backlash for ethnically inaccurate casting.
Lionsgate and director Alex Proyas both issued apologies. The AP said, "While some praised the preemptive mea culpa Some suggested that the casting of black actor Chadwick Boseman , who plays the god Thoth , played into the Magical Negro stereotype.
The previous year, the biblical epic Exodus: Gods and Kings by director Ridley Scott received similar backlash for having a white cast.
When Lionsgate followed its release of posters with a release of a theatrical trailer, Scott Mendelson at Forbes said, "The implication remains that white actors, even generic white actors with zero box office draw, are preferable in terms of domestic and overseas box office than culturally-specific minority actors who actually look like the people they are supposed to be playing.
Lincoln said of the released trailer, "Casting here stands out like a sore thumb leftover from s Hollywood. I suspect this film generates a lot of conversation before it hits theaters February 26, In response to criticisms of its casting practice, director Alex Proyas and Lionsgate issued apologies in late November for not considering diversity; Lionsgate said it would strive to do better.
Mendelson of Forbes said the apologies were "a somewhat different response" than defenses made by Ridley Scott for Exodus and Joe Wright for Pan An unusual occurrence worth noting.
Boseman, who plays the god Thoth, commenting on the whitewashing, said he expected the backlash to happen when he saw the script. In the month leading up to release, director Proyas said his film was fantasy and not intended to be history.
He cited "creative license and artistic freedom of expression" to cast the actors he found to fit the roles. He said "white-washing" was a justified concern but for his fantasy film, "To exclude any one race in service of a hypothetical theory of historical accuracy He concluded, "I attempted to show racial diversity, black, white, Asian, as far as I was allowed, as far as I could, given the limitations I was given.
It is obviously clear that for things to change, for casting in movies to become more diverse many forces must align.
Not just the creative. To those who are offended by the decisions which were made I have already apologised. I respect their opinion, but I hope the context of the decisions is a little clearer based on my statements here.
The magazine said the film had "a strong ensemble cast" and that its director has "had a noteworthy following". BoxOffice also said the premise could attract movie-goers who saw Clash of the Titans , Wrath of the Titans , and the Percy Jackson films.
Exhibitor Relations senior media analyst Jeff Bock said the film "feels late" years after the release of and Immortals , and an earlier production and release would have been more advantageous.
Faughnder said the film would need to perform strongly in territories outside the United States and Canada for a sequel to be developed.
Lionsgate released Gods of Egypt in theaters globally starting on February 25 , English, Hindi , Tamil , and Telugu. In the United States and Canada, the film was released in 3, theaters.
Outside North America, the film got a staggered release. Le Vision Pictures acquired rights from Lionsgate in November to distribute Gods of Egypt in China,  and released the film there on March 11 , Gods of Egypt was panned by critics.
Instead, it skids into dullness, thus negating the camp classic that it so often verges on becoming. But this bloated enterprise is so tiresome by the end, it seems more likely headed for a long rest somewhere in the cinematic afterlife.
Club called Gods of Egypt "overlong and very silly," and said: Jordan Hoffman of The Guardian said, "This is ridiculous. But if you are on the fence you can always offset your karmic footprint with a donation to a charity, because this movie is a tremendous amount of fun.
In response to the reviews, director Proyas posted to Facebook calling critics "diseased vultures pecking at the bones of a dying carcass", who were "trying to peck to the rhythm of the consensus.
I applaud any film-goer who values their own opinion enough to not base it on what the pack-mentality says is good or bad. From Wikipedia, the free encyclopedia.
Gods of Egypt Theatrical release poster. Basil Iwanyk Alex Proyas. Matt Sazama Burk Sharpless. United States Australia .
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Emma Booth as Nephthys , the Goddess of Protection. The script is flawed but the style and lavish design overcomes the basic redemption movie storyline.
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